RESEARCH DOMAIN

New media art and animation

PUBLICATIONS

Monograph The Dialogue of Heterogeneity: The Medium Experiment and Criticism
of Independent Animation of the European and North American Countries, Renmin
University Press (2020). ISBN: 978-7-300-2792-37

The Successful Chorus of “The Second Wave”: An examination of Feminism's
"Manifesto" of Digital Art collected as the fourth chapter of GLOBAL ANIMATION THEORY: International Perspectives at Animafest Zagreb and published by BLOOMSBURY PUBLISHING INC (New York). (2019) PP 51-60.
ISSN: 978-1-5013-3713-D. ISBN: 1501337130, ASIN: B07HBRYKZ1

Monograph Independent Animation Handbook, ShanDong Fine Arts Press (2016). ISBN: 978-7-5330-2787-2

The Echo of Women through Silent Paper-cut Animation: “Scissorhands” Lotte Reiniger’s Reflection through Body Language, ANIMATION Twisted Dreams of History, published in Poland. April, 2019. ISBN: 978-83-66016-81-1 

Textbook Digital Media Contextual Studies, Beijing Machine Press (2014). ISBN: 978-7-1114-5736-7

Textbook Introduction to New Media Art, co-author Prof. Yan Tong, Renmin University Press, Beijing. (2018) ISBN: 9787300260013

Translated book Think Communication (author Isa N. Engleberg and Dianna R.Wynn), Renmin University Press (2013). ISBN: 978-7-3001-6976-7

The Hyper-linguistic Transformation of Science Fiction Films: The "Embodied" Narration and Broadcasting of Artificial Intelligence, Contemporary Animation Journal, (2022/8), ISSN: 2096-6032.CN: 10-1582/G2; PP30-35.

The Mechanism of Panoramic Empathy: Research on Virtual Reality in Spatial Narration and Cultural Memory, Journal TianJin Social Sciences, (2022/2), ISSN:1002-3976.CN:12-1047/C; PP 123-127.

Revealing “Self”: Re-examination of Eastern European Animation Cultural Ecology through Zagreb Festival, Animation Research, Feb, 2020, PP2-13. ISBN: 9787308148818.

Construction of Space Narratives in Animation Documentaries and Virtual Reality, co-author Xiaoxing Fu, Contemporary Cinema Journal, (2021/2), ISBN: 1002-4646. CN:11-1447/J. PP 166-171. reproduced in China Social Science Excellence, Film and TV Arts, (2021/5), ISSN: 1009-7627.CN:11-4325/J; PP 74-79.

The Double Construction of Landscape: Criticism and Collaboration in Film and Game, published in Contemporary Cinema Journal, No. 260 (2020/10). ISBN: 1002-4646. CN:11-1447/J. PP 41-49.

Intertextual Memory: The Animation Reproduction of Nezha's myth as the "Rebel", Journal of Art Criticism, (2020/8), ISSN:1672-6243. 11-4907/J. PP 45-57. Journal of Art Criticism, (2020/8), ISSN:1672-6243.CN:11-4907/J. PP 70-80.

The Story of the First-person: Recovering Autobiographical Memory through the Animated Documentary Ketchup, co-author Baishen Yan, journal Animation Practice, Process and Production, Volume 6. (2017/12) ISSN: 2042-7875. PP115-136.

“Texture” Upheaval: The Cooperation and Counterattack of Recent Eastern European Animated Feature Films published in Contemporary Cinema Journal, No. 260 (2017/11). ISBN: 1002-4646. CN:11-1447/J. PP 116-121.

The Re-construction of Human Memory: Explorations of the Animated Documentary published in Ethnic Arts Quarterly, No.02 (2017/04) ISBN: 1003-840X. PP 110-116.

The Hetero-geneity of Memory: Animated Documentary as A New Device of Self-Narration published in the Cartoon and Animation Studies Journal (2016/12). ISBN: 1738-009X. PP 479-512.

The Spectrum of Memory: Animated Documentary In-between Self-Narration and Social Criticism published in English/French bilingual journal Epistémè (International Journal of Applied Social and Human Sciences) (2016/12).

The Choice of Hetero-geneity: Generative Artistic Animation and the Re-evolution of Games, AnimaFest Scanner III collection, published in English/Croatian bilingual journal Hrvatski filmski Ljetopis (Croatian Cinema Chronicle Film Journal), No.86-87 (2016/08) ISBN: 1330-7665. PP 202, 213.